Dallas Art Fair

Booth B8

April 13 - 15, 2018

Alina Grasmann (b. 1989)  lives and works in Munich, Germany, having studied at the prestigious Academy of Fine Arts in Munich and at the University of Applied Arts in Vienna. Her paintings deal with imaginary, real and emotional places. The West of Eden series (2017) places elements of famous historical paintings inside the industrial architecture of Dia Beacon, the landmark of minimalist art, questioning the dichotomy between artifice and reality. In Paper Town (2018), a series of smaller oils on paper, she depicts the facades of a town that began as a copyright trap - a deliberate typo by map-makers to catch copyright infringement, again using her masterful painting technique to juxtapose fiction and reality. 

West of Eden 03
West of Eden 03

(for Melchior de Hondecoeter and Dan Flavin)

press to zoom
West of Eden 01
West of Eden 01

(for Vincent van Gogh)

press to zoom
West of Eden 09
West of Eden 09

(for Jonas Wood and Shio Kusaka)

press to zoom
West of Eden 03
West of Eden 03

(for Melchior de Hondecoeter and Dan Flavin)

press to zoom
1/9

Anton Ginzburg (b. 1974), based in New York, earned his MFA from Bard, and has exhibited at the fifty-fourth Venice Biennale, Blaffer Art Museum, Palais de Tokyo in Paris, the San Francisco Museum of Modern Art, White Columns, the Moscow Biennale, and Cooper-Hewitt Design Museum. He uses an array of historical and cultural references as starting points for his investigations into art’s capacity to penetrate layers of the past and reflect on the contemporary experience. The ORRA paintings (2017) combine color theory developed by Russian Constructivists with geometrical forms characteristic of American minimalism to create a pulsating visual dialog with the surrounding space.

ORRA series
ORRA series

Describe your image.

press to zoom
ORRA series
ORRA series

Describe your image.

press to zoom
ORRA series
ORRA series

Describe your image.

press to zoom
ORRA series
ORRA series

Describe your image.

press to zoom
1/6