2018
DANA KAVELINA
Born (1995) in Melitopol, Ukraine. She was based in Kyiv and Lviv; in spring 2022 she temporarily relocated to Germany.






Dana Kavelina works with animation and video, as well as drawing, installation, and painting. Her most recent video, Letter to a Turtle Dove (2020) was acquired by the MoMa and is currently on display at Signals: How Videos Transformed the World, until July 8, 2023. Her works often address military violence and war, seen from gender perspective – especially with regard to the position of a victim as a political subject – as well as the distance between historical and individual trauma, and memory and misrepresentation.
Kavelina’s drawing series Exit to the Blind Spot was created for the War in the Museum exhibition at the Kmytiv Museum of Soviet Art. The exhibition placed Soviet images of victory in WW2, depicted in Soviet paintings from various time periods, in dialogue with contemporary Ukrainian feminist artists. Kavelina’s drawings were placed between large, monumental Soviet paintings in a play of scale where her works appeared small and fragile.
“Drawings give a different perspective on Victory: ‘Every war is a war against women.’ A rape of a woman by the military is the reverse, shameful side of Victory and Feats. The drawings seek to bring back visibility and voice to those who were the victims of rape and then were silenced and wiped out of history to preserve its heroic character. Any ‘Winner’s Story’ is glued together by woman bloody lingerie.” – Dana Kavelina
Press
The Winners of the PinchukArtCentre Prize
PinchukArtCentre
May, 2023
Dana Kavelina: Giving Agency to Women Victims of War
by Monika Fabijanska
April 27, 2023
Women artists tell an ugly truth: The war within may never be over
by Philip Kennicott
The Washington Post
August 4, 2022
Fault Lines in America and Ukraine
by Peter Schjeldahl
The New Yorker
July 25, 2022
Olia Fedorova and Dana Kavelina
by Monika Fabijanska
BOMB Magazine, Issue #161
September 15, 2022