2018
475 MAIN STREET | BEACON
Hana Yilma Godine
Substance in Ethiopia
April 16 – May 29, 2022
Opening Reception
Saturday, April 16
4–7 pm

Hana Yilma Godine
Substance in Ethiopia 1
2022
Oil, fabric and acrylic on canvas
157 x 55 inches

Hana Yilma Godine
Substance in Ethiopia 2
2022
Oil, fabric and acrylic on canvas,
155 x 55 inches
PRESS
Hana Yilma Godine: Substance in Ethiopia
by Charles Moore
The Brooklyn Rail
May, 2022
Hana Yilma Godine’s Paintings Depict Ethiopian Traditions with Modern Style and Flair
by Taylor Michael
Hyperallergic
March 3, 2022
Hana Yilma Godine Imagines Scenes of Transcendent Repose
by Ryan Wadduops
Surface
February 23, 2022
A New Art Show Looks at the Role of Women in Ethiopia
by Kerry Nolan
wnyc
February 3, 2022
by Julia Halperin
artnet news
February 1, 2022
Your Concise New York Art Guide for January 2022
by Cassie Packard
Hyperallergic
January 2, 2022
Must See: "Hair Salon in Addis Ababa" at Fridman Gallery
ARTFORUM
January 27, 2022
Fridman Gallery is honored to announce Hana Yima Godine’s third solo exhibition with the gallery, presenting new works created over the past three months at the gallery’s artist residency in Beacon, NY.
Godine’s use of flattened perspective, elongated figures, and evenly distributed light recalls Ethiopian iconography which underscores the divinity of biblical subjects by rejecting rules of earthly representation. At the same time, Godine’s works are firmly grounded in reality – she paints on traditional Ethiopian fabrics which women typically source at the local market and turn into affordable dresses. Godine weaves her brushstrokes in and around the fabric print, at times leaving the flowery patterns untouched, at times letting them glimmer through the painted layers.
Combining traditional materials with bold compositions and color schemes, the paintings appear to time-travel, offering a futuristic worldview based in spirit, community, care, and hope.
Selam (Australopithecus afarensis) is a female who lived 3.3 million years ago, the earliest human ancestral fossil found in Dikika, Ethiopia in 2000. Thus, Ethiopia is the likely place of origin of the human race and of the body. In my paintings, fabric as a material is a metaphor for the fabric of life, reflecting the multiple fashions, languages, religions, and celebrations in Ethiopia.
Experimenting with the body as a substance creates a connection that nature, weather, environmental phenomenon, and culture have with love embodied in us.
– Hana Yilma Godine
Hana Yilma Godine received an MFA from Boston University in 2020, having previously studied at the Abyssinia School of Fine Art and Design, and the Ale School of Fine Art in Addis Ababa. Godine’s first institutional exhibition took place at the National Museum of Ethiopia in the Spring of 2021. Earlier this year, a two-venue solo exhibition A Hair Salon in Addis Ababa was presented simultaneously at Fridman Gallery and Rachel Uffner Gallery in New York City. Godine has spent the past three months at Fridman Gallery’s newly launched artist residency in Beacon, NY. She lives and works in Addis Ababa, Ethiopia.
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