The mystical Ocean of Time transcends esoteric boundaries at NYC's Fridman Gallery

Architectural Digest India
September 15, 2023

A Focus on Biography at Independent 20th Century

Hyperallergic
September 9, 2023

Artforum's "Must-See Shows" An Ocean of Time

Artforum International
September 5, 2023

Don't Miss: Wura-Natasha Ogunji's 'Cake' at Fridman Gallery

Observer
June 10, 2023

1-54's Smart, Sharp Selection of Contemporary African Art Shines in New York

Artsy
May 19, 2023

Wura-Natasha Ogunji Creates Dreamy Drawings with Thread

ARTnews
May 17, 2023

The Ukrainian Museum Spotlights Contemporary Artist Lesia Khomenko

WYNC
May 2, 2023

"Pour, tear, Carve" exhibit at the Phillips Collection

The Washington Diplomat
May 3, 2023

The Winners of the PinchukArtCentre Prize 2022 are announced

PinchukArtCentre
May, 2023

The Art of Work: Can a day job be more than an energy suck?

The Baffler
May 3, 2023

Dana Kavelina: Giving Agency to Women Victims of War

Independent
April 27, 2023

post presents: Art, Resistance, and New Narratives in Response to the War in Ukraine

MoMA Interview
April 26, 2023

5 Must-See Booths at Chicago's Expo Art Fair

FAD Magazine
April 14, 2023

The Best Booths at Expo Chicago, from Pleated Knots to Poignant Works About Memory

ARTnews
April 14, 2023

How Artist's Day Jobs Shape Their Craft

Smithsonian Magazine
March 10, 2023

Heather Dewey-Hagborg in Hyperallergic | What Is Hospitality in an Era of Crises

Hyperallergic
February 16, 2023

Dindga McCannon's Woman #1 acquired by the National Gallery of Art

National Gallery of Art
February 16, 2023

Best of visual art in 2022

The Washington Post
December 14, 2022

Art News | Free Jazz Pioneer Milford Graves Transports with Posthumous Art Basel Installation Bringing the Polymath’s Many Practices Together

Milford Graves at Art Basel Miami Beach 2022 featured in Art News

Nate Lewis Conversations with Artists | The Phillips Collection December 10, 2022 4-5:30pm

Lewis will be joined in conversation with Vesela Sretenovic, Director of Contemporary Art Initiatives and Academic Affairs, The Phillips Collection

Dindga McCannon – interview: ‘Not having money never stopped me creating what I wanted’

Studio International
October 18, 2022

‘I Am Them, They Are Me’

The Highlands Current
October 7, 2022

A Former Nurse’s Art, Inspired by the I.C.U.

The New York Times Style Magazine
October 7, 2022

In the studio with... Dindga McCannon

Apollo
October 6, 2022

Nate Lewis’s Dancing Figures Awaken a Sense of Healing

Surface Magazine
September 26, 2022

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